VORTEX SUTRA
Straightway from God I come into my redeeming skin.
- Anne Sexton
Dirty Money Sanitize
Come in, come in
you seat me next to the kitchen window
I watch you slump and divide
like something I know, I know
broken down the middle like silence
or two halves of the moon
or split-spoke wheels spinning backward
the night I astral hydroplaned your Spider
you called it ritual sacrifice
at the villa in Corfu your best man-to-be
touching me in the grand hall
adrift in haze til I woke you
til I folded down like silk
the gun up to his jaw damned in a trance,
a stranger, the naked blue-veined place,
eyes turned backward like classroom clocks
the same ruined scene I draw by memory
it comes up to my door with no place to go
clocking the miles and making me pay
see me, see me
hold still nobody else
just a shape and a shape how I know
what this is, how you return to me.
E. Seraphine
When You Showed Me Brooklyn Bridge
When you showed me Brooklyn Bridge
in the morning,
Ah god,
light all around you
you raised your eyes and looked at me sharp
“I have visions all the time”
people rushing to work
from their nice homes
clutching their coffees
nice homes but renting
anyway
there go the birds
carte blanche
nothing can hold you
dues are paid
they’ll have to find you
where they find you
Mexico City
turning down
a whole lot of blow
too young when your mom
found you
on the bathroom floor
how you told me, so earnest
and I couldn’t sleep for weeks.
Mad and gifted
baring your paintings to heaven
holding the light, the light
drawing me closer, closer
to your chest that scented heaven
good god,
like all of heaven
that’s when I taught you tears
that morning on the bridge
nobody else
knew you cried.
in the morning,
Ah god,
light all around you
you raised your eyes and looked at me sharp
“I have visions all the time”
people rushing to work
from their nice homes
clutching their coffees
nice homes but renting
anyway
there go the birds
carte blanche
nothing can hold you
dues are paid
they’ll have to find you
where they find you
Mexico City
turning down
a whole lot of blow
too young when your mom
found you
on the bathroom floor
how you told me, so earnest
and I couldn’t sleep for weeks.
Mad and gifted
baring your paintings to heaven
holding the light, the light
drawing me closer, closer
to your chest that scented heaven
good god,
like all of heaven
that’s when I taught you tears
that morning on the bridge
nobody else
knew you cried.
Kill Switch
Now as a penalty for my skill, by night, I walk in the dead center of my act. If Judas go forth, providing his gifts for the altar, I come with words but no language, giving back all my nine slippery lives. There’s a switch that if you flip can show you more than you ask. Hearing the gruff knocking at the door. Lest out of spite just to come out into the light where God has gone. My brother enters my room. He draws the curtain. “You should get up. Get some air.” I drag my eyes. Brutal stare at the glare of the day. He hangs over me, crossing into dreams that endow me. “Life is two choices, you know. You can stand roped in the ring. Or you can start to swing.” He lifts me from the bed, through hoops of hazardous half-moons, cyphers from bad oblivion, this plum pool where empires sit smug in my hand. Here becomes there without ceasing to be. He runs the water cold. Cold. How cold it got — silk gown against my skin deepening the chill. But I am not scared, ever, of this gangway that mangles the glee of gods. Let this gaudy miracle happen to me, come out to me like a blistered animal and sink your teeth keen into each brave limb. Head back to heaven, eyes closed, I cry out to a band of angels, fraying at their flawless seams, singing in retrograde symphony: “I beg, I beg, I beg.”